Michael Frank

 

Michael Frank was a contributing writer to The Los Angeles Times Book Review for nearly eight years.  He has contributed essays and short stories to The New York Times, The Los Angeles Times, The Atlantic, Slate, The Yale Review, The Threepenny Review, The TLS, Time, Salmagundi, and Tablet, among other publications. The recipient of a 2022 Guggenheim fellowship, he lives in New York City and Camogli, Italy. 

 
 

One Hundred Saturdays: In Search of a Lost World (2022)

Illustrations by Maira Kalman

The story of 99-year-old Stella Levi whose conversations with the writer Michael Frank over the course of six years evolve into a novel-like portrait of a dynamic young woman who came of age in the vibrant world of Jewish Rhodes, was deported to Auschwitz where she saw ninety percent of her community extinguished, and afterward rebuilt a life for herself whose worldview expanded rather than narrowed as she grew older.  

With nearly a century of life behind her, Stella Levi had never before spoken in detail about her past. Then Michael Frank came to her Greenwich Village apartment one Saturday afternoon to ask her a question about the Juderia, the neighborhood in Rhodes where she’d grown up.  Neither of them could know this was the first of one hundred Saturdays that they would spend in each other’s company as this magical modern-day Scheherazade traveled back in time to conjure a vanished world. Probing and courageous, candid and sly, Stella develops a tender and transformative friendship with Michael, who in return indelibly captures one of the last survivors at nearly the last possible moment as the two explore the fundamental mystery of what it means to collect, share, and interpret the deepest truths of a life deeply lived. 

Named one of the best books of 2022 by The Wall Street Journal, One Hundred Saturdays received a Natan Notable Book Award, two National Book Awards from the Jewish Book Council, and the Sophie Brody Award for outstanding achievement in Jewish literature.

“One Hundred Saturdays is a sobering yet heartening book about how friendship, remembrance, and being heard can help assuage profound dislocation and loss. It is also a reminder that the ability to listen thoughtfully is a rare and significant gift.” —Heller McAlpin, The Wall Street Journal

“A tribute not only to an exceptional time and place, but also to the exceptional person charged with the task of commemorating it, a witness whose independence, integrity, and zest for life would have been irresistible at any time, in any place.” —Ingrid D. Rowland, The New York Review of Books

“Incandescent…Frank’s narrative shines with an ebullience, thanks to the ‘unusually rich, textured, and evolving’ life of his utterly enchanting muse. The result provides an essential, humanist look into a dark chapter of 20th-century history.” —Publishers Weekly

“A compelling and unique story of genocide and loss. The central figure, Stella Levi, is intensely captivating and a woman with remarkable insight.” —Margaret Heller, Library Journal, starred review

“Reading One Hundred Saturdays is is like watching an artist piece together a mosaic…. A sensitive portrait of an extraordinary woman.” —Deborah Mason, Book Page, starred review

A “beautifully crafted true story of friendship, love, survival, and redemption.” — Melissa Norstedt, Booklist, starred review

“Quite simply, essential reading….Michael Frank has done a masterful job with One Hundred Saturdays of coaxing these stories from the sometimes reluctant narrator. The Rhodes Holocaust is an important and lesser-known chapter in history, and Stella Levi’s vivid remembrances deserve a wide audience.” —Linda Hitchcock, BookTrib

Rights: Avid Reader, Ed. Lauren Wein, World English; Einaudi, Italy; Profile, UK; Beijng Han Tan Zhi Dao, China; Rowholt, Germany; Ikaros Publishing, Greece.

 

WHAT IS MISSING (2019)

Costanza Ansaldo, a half-Italian and half-American translator, is convinced that she has made peace with her childlessness. A year after the death of her husband, an eminent writer, she returns to the pensione in Florence where she spent many happy times in her youth, and there she meets, first, Andrew Weissman, an acutely sensitive seventeen-year-old, and, soon afterward, his father, Henry Weissman, a charismatic New York physician who specializes in―as it happens―reproductive medicine.

With three lives each marked by heartbreak and absence―of a child, a parent, a partner, or a clear sense of identity―What is Missing offers Costanza, Andrew, and Henry the opportunity to make themselves whole when the triangle resumes three months later in New York, where the relationships among them turn and tighten with combustive effects that cut to the core of what it means to be a father, a son, and―for Costanza―a potential mother.

"Mr. Frank explores the ways that scientific breakthroughs have caused the legal meaning of family to become detached from its genetic definition. The complicated family unit he ultimately forms is very much like this rewarding novel: something that may appear basic and old-fashioned but is in reality built on uncharted ground." — Sam Sacks, The Wall Street Journal

"A penetrating examination of how a life can be defined by contingency and surprise, marked both by the absence of things long dreamed of and by unexpected presences." — The New Yorker

"Frank’s psychologically astute, engrossing debut novel demonstrates his keen instinct for family dynamics that was evident in his fascinating memoir, The Mighty Franks . . . Frank’s compelling characters each contend with their inchoate sense of self and their abiding need for family." — National Book Review (5 Hot Books)

"[A] memorable debut . . . The novel is filled with trenchant moments of sweetness and betrayal, as well a stunning reveal of the harrowing gauntlet infertile women go through to conceive. This is an intricate and dynamic examination of familial ties: both what strengthens them and what can tear them apart." — Publishers Weekly

"Frank is insightful and sympathetic on the mental and physical toll of [IVF] treatments, and he has a strong sense of family dynamics and crackling dialogue . . . [An] overall impressive debut." — Kirkus

 
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THE MIGHTY FRANKS (2017)

“My feeling for Mike is something out of the ordi - nary,” Michael Frank overhears his aunt telling his mother when he is a boy of eight. “It’s stronger than I am. I cannot explain it . . . I love him beyond life itself.” With this indelible bit of eavesdropping, we fall into the spellbinding world of The Mighty Franks.

The family is uncommonly close: Michael’s childless Auntie Hankie and Uncle Irving, glamorous Hollywood screenwriters, are doubly related— Hankie is his father’s sister, and Irving is his mother’s brother. The two families live near each other in Laurel Canyon. In this strangely intertwined world, even the author’s grandmothers—who dislike each other—share a nearby apartment.

Strangest of all is the way Auntie Hankie, with her extravagant personality, comes to bend the wider family to her will. Talented, mercurial, and lavish with her love, she divides Michael from his parents and his two younger brothers as she takes charge of his education, guiding him to the right books to read (Proust, not Zola), the right painters to admire (Matisse, not Pollock), the right architectural styles to embrace (period, not modern—or mo-derne, as she pronounces the word, with palpable disdain). She trains his mind and his eye—until that eye begins to see on its own. When this “son” Hankie longs for grows up and begins to turn away from her, her moods darken, and a series of shattering scenes compel Michael to reconstruct both himself and his family narrative as he tries to reconcile the woman he once adored with the troubled figure he discovers her to be.

In its portrayal of this fascinating, singularly polarizing figure, the boy in her thrall, and the man that boy becomes, The Mighty Franks will speak to any reader who has ever struggled to find an inde - pendent voice amid the turbulence of family life.

"Frank brings Proustian acuity and razor-sharp prose to family dramas as primal, and eccentrically insular, as they come . . . Frank’s eye and ear, his words and wit―the voice in these pages has such style. Better yet, the style is utterly his own."―Ann Hulbert, The Atlantic

"Truth is not just stranger than fiction, it's more interesting, too . . . More than a memoir, this is really a study of human pathology, a book that should be widely read for its insights into families and the process of growing up." Library Journal (starred review)

"[A] satisfying memoir . . . [An] often moving portrait of a woman who seemed to be one person until she revealed herself to be someone else entirely, this is one of those memoirs that simultaneously fascinates as it makes us uncomfortable. Is this too personal? Should I be averting my eyes? Maybe, but I can’t because I want to know what startling secrets will be revealed next." Booklist

"[A] complex and fascinating memoir . . . In thoughtful, fluid prose, [Frank] evokes the magic and sophistication of a vanished Hollywood intelligentsia schooled in the language of cinema . . . the woman he describes is as iconic and memorable as the characters she created for the screen." Publishers Weekly

The Mighty Franks is a tremendously smart and beautiful portrait of one of the most interesting and memorable families I've encountered. Crackling with sorrow and wit, Michael Frank has written a gorgeous, moving and intensely compassionate memoir that will stay with me for a long, long time. An astonishing book.”―Molly Antopol

The Mighty Franks is very easy to love and very hard to put down. It is a terrific portrait of Los Angeles at a particular time for all of us who ever fantasized about growing up with pools, palm trees, and, yes, even the occasional star. Moving, wonderfully written, and marvelously written, it is filled with characters who love you, hug you, drive you crazy, and sometimes make you cry.”―George Hodgman

“This is one complicated family. How do any of us survive our families? The how of The Mighty Franks is beautiful, tender, forgiving, funny, and fiercely honest. Michael Frank’s book will certainly join the canon of classic memoirs. I adored it.”―Maira Kalman

“Be careful when you start reading The Mighty Franks since you won’t be able to stop. As finely drawn as it is acutely observed―painful, honest, evocative, spare―this portrait of an extraordinary family is a work of art.” ―Jean Strouse

“To paraphrase Tolstoy, interesting families are unhappy in mysterious ways, and in this subtle memoir full of hard-won wisdom, Michael Frank gives us an indelible portrait of his own. His imperious, beautiful, infuriating Aunt Hankie, in particular, is one of the great Difficult Women of contemporary literature.” ―Judith Thurman
 


Rights: FSG, World: The Fourth Estate UK; Harper Collins, Canada; Lindhardt & Ringhof, Denmark; Alianza, Spain